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It's not as impressive as his work in the La Verrier Space Station but that's to be expected Sleep No More reveled in its directorial brilliance, its whole premise hinging on how well it was framed. Having an unknown landscape potentially around each corner once again harks back to those early First Doctor days when the otherworldly could be found anywhere.Ī stark contrast to the futuristic visuals of last week's Sleep No More, the trap street gives director, Justin Molotnikov something new to explore. It's realised as a typical magical location, cobbles and olde worlde houses, shadows and the alien.
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With a whole world available to us online, maps on our phones and courtesy of Google, the idea of hidden streets is fascinating. Well, not entirely, but Clara's tale of cartographers including a fake street so they'd know if their work had been copied by others is entirely true – it's one of those interesting nuggets of information Doctor Who frequently unearths. And all brought together thanks to the neat concept of trap streets. A little odd, too.įace the Raven is the first Doctor Who by Sarah Dollard ( Being Human The Game) and what a way to debut! Not only does she bring back two supporting characters, she also gets rid of a main companion and throws in as many aliens as possible.
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We'll get it out of the way: it was immensely sad. Is she properly gone? We'll find out over the next couple of episodes, but for now, this is it. It seems only yesterday that we were bidding Amy and Rory a fond farewell, and even though Clara's been travelling in the TARDIS for a long time, it's still just as tough.